Age can be a touchy topic for artists of all types. There’s a glamorous myth that says all the geniuses come into their talent at a young age, and by the time they’re 30 they have already reached astonishing heights of prowess.
When I was writing my first novel I would have killed for a Fairy Godmother to pop into my life and reassure me that I was on the right track. Every week I took a quick inventory of how many pages I had written, but even though the page count was mounting, my confidence levels seemed to be dropping.
In the past few years trilogies have become all the rage. Whether you write sci-fi, fantasy, horror, or some other kind of speculative fiction, you’ve probably heard that everyone wants to read trilogies these days and everyone is writing trilogies these days.
This can create problems for writers who despair of having a story in them that’s long enough to span three novels, and who also doubt their ability to sustain interest in one project for that long of a time.
It took me two years to write the rough draft of my first novel. Two long excruciating years. I doubted myself at every phase. I hated the way I opened the book. It was too clumsy and awkward. I was embarrassed about the middle. It was convoluted and wandered down too many dead ends. I cringed when I wrote the ending. It was completely cliché and way, way too obvious.
Over a year ago I wrote an article called, “Introverted and Intuitive? Why the Writing Rules Probably Don’t Work for You.” And I got an overwhelming response from readers. In fact, I’m still getting emails about it. Apparently, there are hundreds of writers out there who run into difficulties when they try to outline their novel, plot the plot, or follow any sort of predetermined method of creation for their characters.