Today’s guest post comes from the satirical G.C. McKay, author of the anthology Sauced up, Scarred and at Sleaze and his recently released novel, Fubar. G.C. is one of my favorite writer friends because he always pushes limits and questions the status quo. Plus, he manages to be totally irreverent and profound at the same time. The following is his take on the writing “rules” for transgressive fiction authors.
Transgressive fiction gets a pretty raw deal. In fact, it gets the same treatment by the world we live in as its characters often do inside their stories. This is probably to be expected, as the themes it explores are normally on the, shall we say, darker side of the human spectrum. Whilst we can argue till our faces turn blue (sexual-innuendo obviously implied) about what actually defines transgressive fiction, I’d venture to guess that we can all agree that it… unnerves us, as Lauren Sapala so adequately put it in her post Why are so Many Writers Afraid of Transgressive Fiction?
On that note, here are seven sin-ridden writing tips to keep in mind when your gunk-filled fingernails sit poised over the keyboard:
I got an email from a writer the other day asking about transgressive fiction. She had seen my previous article, What It’s Like to Be a Female Author Who Writes Transgressive Fiction, and she was curious about a couple of things. Number one, she wanted to know how I fueled my ideas to write in this genre, and two, she wanted to know how I handled the reactions of my friends and family members. In particular, did any of my friends and family think I was just writing about my “twisted fantasies”?
It’s that time of year where I’m flooded with phone calls from panicked writers who are trying desperately to prepare for NaNoWriMo. For me, the end of October is always filled with these kinds of last-minute coaching sessions, in which I talk writers down from the ledge and convince them that all will be okay and that they CAN make it through NaNo.
From all these years doing all these frantic phone calls with writers, I have noticed a pattern. Writers who have done NaNo before definitely seem to have an easier time of it, because they already know the thing that first-timers have to learn on their own:
If you’re a highly creative person then chances are you’ve gone through periods in your life when you felt creatively stifled. Maybe you had a brutal work schedule or you were caught up in a bad relationship and your head wasn’t where it needed to be to make good art. Or maybe you had critical parents and you just never had the self-confidence to put your work out into the world. But no matter what the reason, all of us at one time or another have wished we could bring more creativity into our lives, and then we’ve gotten blocked on how to make that dream a reality.
Why is this? Why is it so hard to tap into our own creativity and make it work for us?
Today’s guest post is from Amanda Linehan, a fiction writer, indie author, and INFP. I absolutely love Amanda’s take on writing without an outline, and I think you will too.
I remember the first time I ditched my outline.
I was working on my third novel, Dragon, and the second one that I would self-publish, and I was about two-thirds of the way through. I had a loose outline that I had prepared prior to starting, of course, and something about it just started to bug me.