I routinely receive inquiries about my editing services from writers who are just about ready to hit the “publish” button, and writers who have a very rough draft and need to get it to the next level. What I’ve noticed is that most of these writers have a pretty vague idea about what they’re looking for in an editor. They’re unsure about pricing, expectations, and what they need to do to be part of the process.
Writing the Sloppy First Draft and How to Edit
One of the first things a writer learns is about the power—and the challenge—of the rewrite. For those writers who assume that everything Ernest Hemingway wrote flowed perfectly out of his pen on the very first try, the illusion is shattered. The more experience a writer gains, the more they know that rewriting is part of the process for all writers. But that doesn’t mean that rewrites still aren’t confusing, overwhelming, or just plain difficult. They most definitely can be all of those things. What can really be helpful is for writers to back up, look at a map, and make sure they’re not going in the wrong direction.
It was 2008 and I had just finished the sloppy first draft of my very first novel. It had taken me two years to write it. Two, long crazy years during which I painstakingly cobbled together the book piece by bloody piece. I felt like I had opened up my heart and vomited out everything it held onto the page.
During a recent coaching call one of my clients asked me if it’s important to have each scene meet a specific goal that contributes to the overall story. He said he was a bit worried, because sometimes he felt he “just needed to talk on the page” and so he didn’t start every scene with a preconceived goal in mind.