Today’s guest post comes from the satirical G.C. McKay, author of the anthology Sauced up, Scarred and at Sleaze and his recently released novel, Fubar. G.C. is one of my favorite writer friends because he always pushes limits and questions the status quo. Plus, he manages to be totally irreverent and profound at the same time. The following is his take on the writing “rules” for transgressive fiction authors.
Transgressive fiction gets a pretty raw deal. In fact, it gets the same treatment by the world we live in as its characters often do inside their stories. This is probably to be expected, as the themes it explores are normally on the, shall we say, darker side of the human spectrum. Whilst we can argue till our faces turn blue (sexual-innuendo obviously implied) about what actually defines transgressive fiction, I’d venture to guess that we can all agree that it… unnerves us, as Lauren Sapala so adequately put it in her post Why are so Many Writers Afraid of Transgressive Fiction?
On that note, here are seven sin-ridden writing tips to keep in mind when your gunk-filled fingernails sit poised over the keyboard:
There are a lot of tips and advice out there on what makes for a great writer. I’ve written on this topic many times before, myself. It takes persistence and determination, say the experts. Writers have to be brave, says Charles Bukowski. You have to be clear on your goals, ready to receive hard feedback, and have an organized daily schedule, says the internet.
However, I’ve actually met and befriended hundreds of real life writers and I can say with a good degree of certainty that not all of us are all of these things. Or, we’re only some of these things some of the time. The rest of the time we’re disorganized, self-doubting, afraid, and not at all ready to hear harsh criticism of our work.
I’ve worked with a lot of writers over the past eight years and I can honestly say that there really is one thing that separates the writers who are going to make it from the writers who are not. I know, I know—there are many different variables at play. Believing in yourself, joining a supportive community, finding your audience. I’m not disputing that those factors influence a writer’s success. But the thing I’m talking about is way more basic than anything else.
Out of the three basic elements of a story—character, plot, and setting—setting often turns into the neglected stepchild sweeping up ashes in the corner. And for good reason. It can get tedious to describe an imaginary place that you can see clearly in your mind’s eye, but the reader can’t. On the other hand, it’s sometimes tempting to use too much detail, bogging the reader down with unnecessary words that only add confusion to the story.
Adam Scull of the Eat Sleep Write podcast interviewed me about writers facing fear and resistance, writing roadblocks, and more. It was the first podcast I’ve ever done and it was really fun! Big thanks to Adam for contacting me and making this happen!
You can listen to the full interview here.