Traditional versus self-publishing has been a hot topic for quite some time now, with authors divided vehemently between the two. I have clients who are self-published and wouldn’t have it any other way. I also have clients who went the traditional route via agent to publisher and would never dream of doing it different.
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One of the stickiest places for writers is when they want to move their characters from Point A to Point B in a story. Sometimes Point A and B are physical places. They might need to get their character from California to China. And sometimes A and B are two points in time, as when their character has to go from high school graduation to an end-of-the-summer scene.
These transitions can be tough for writers. Number one, because there isn’t a whole lot of emotional investment in the transition. It’s just a necessary part of moving the plot along. Number two, most writers tend to overwrite these transition scenes, trying to flesh them out when they don’t need to be fleshed.
Most people don’t pay much attention to their dreams. They seem to be born out of something crazy our brain does when we’re unconscious and not present to supervise our mental activities. But writers aren’t like most people. And we don’t have the luxury of dismissing this rich, frothy mix of layered meaning and symbolism that our minds give us as a gift every night.
How many times have you sat down to write and gotten instantly stuck? How many times have you been writing and hit a wall because you were nervous you weren’t taking the story in the right direction? How many times have you felt “blocked” “bogged down” or “frozen” during a writing session instead of free and flowing and moving ahead?