Today’s guest post is from Fred Johnson, who is an editor for Standout Books, where he helps authors take their manuscripts from good to perfect. He’s had poetry published in Zetetic, Spark: A Creative Anthology, The Incubator, Iota, Belleville Park Pages, Smoke, and Spring 14. His personal blog can be found here and he can be found on Twitter as @FredBobJohn. You can also find out more at the Standout Books Blog.
Poetry is big and confusing and I don’t get it. As a form, it’s remarkably fluid—just when I think I’ve grasped what it is and how it works, I’ll discover some poet who throws the whole thing on its head. Whereas contemporary formalists like Glyn Maxwell argue that poetry without strict form is like a table without legs, the bleeding edge throw words all over the page, dismissing grammar, form, spelling, and linear sequence. How do I know where to stand? It’s all too much to keep up with.
A couple of months ago I posted Writers, Poets, Misfits and Other “Weird” People: It’s Time to Stand Up and Own It and I got an overwhelming response. So many people emailed me to say that they have always felt out of place all their lives, that they never knew where they fit in, or even if they ever would. They were surprised and relieved to find that others felt the same way. Suddenly, a whole new world had opened up to them.
Today’s guest post comes from Amazon bestselling author Elaine Calloway. Elaine writes paranormal fantasy and is also a fellow INFJ. I asked Elaine what drew her to writing in her specific genre and what her experiences have been with it in the writing world. Today’s post is a response to my questions.
Growing up in New Orleans amidst Gothic cemeteries and live oaks, my destiny seemed clear: I would become a writer of all things paranormal someday.
About ten years ago I worked for a startup that launched a social media site for published authors. This was the first place where I really started to meet writers and come in contact with people in the industry. In the spring of 2008 one of the topics being bantered about on our website was the question of self-publishing. Specifically, did the rise of it spell tragedy for good literature everywhere?
Nearly a decade later I can’t believe how worked up people got about it, and how worked up some people still are today. Because the fact of the matter is that self-publishing is here to stay, and it’s probably the best thing that’s happened to writers since the invention of computers.
Today’s interview is with Jane Wyker, author of Soul Selfish: The Awakening of a “Good Girl”, a memoir which shares the vast experience of Jane’s 46-year inner journey. Jane is, in a word, AMAZING. Her book rocked my world and corresponding with her lit a fire under me.
Working in over a dozen different psychological, mind-body and spiritual disciplines, Jane had the courage and faith to follow the guidance of many teachers and, ultimately, her own soul. Now 80 years old, she models a life that is created from within, demonstrating that sustained happiness rests upon soul connection.