Today’s guest post comes from the satirical G.C. McKay, author of the anthology Sauced up, Scarred and at Sleaze and his recently released novel, Fubar. G.C. is one of my favorite writer friends because he always pushes limits and questions the status quo. Plus, he manages to be totally irreverent and profound at the same time. The following is his take on the writing “rules” for transgressive fiction authors.
Transgressive fiction gets a pretty raw deal. In fact, it gets the same treatment by the world we live in as its characters often do inside their stories. This is probably to be expected, as the themes it explores are normally on the, shall we say, darker side of the human spectrum. Whilst we can argue till our faces turn blue (sexual-innuendo obviously implied) about what actually defines transgressive fiction, I’d venture to guess that we can all agree that it… unnerves us, as Lauren Sapala so adequately put it in her post Why are so Many Writers Afraid of Transgressive Fiction?
On that note, here are seven sin-ridden writing tips to keep in mind when your gunk-filled fingernails sit poised over the keyboard:
Today’s guest post comes from Ritu Kaushal, a San Francisco Bay Area-based author and the blogger behind the popular HSP and empath-centric website www.walkingthroughtransitions.com. Her writing has appeared on Tiny Buddha, Sensitive Evolution, Elephant Journal and Having Time amongst others. She recently released The Empath’s Journey, a book I highly recommend that every INFJ, INFP, and empath add to their arsenal of tools on how to survive as a Highly Sensitive Person in today’s world.
As an INFP writer, I have struggled over years with many of those same things that artists have always struggled with. When we are just an acorn, when our creative being has still not taken root, we are masters of self-doubt. After all, many of us haven’t been taught anything about what the creative process actually feels like.
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Happy writing. 🙂
By and large, the biggest problem I run into with struggling authors is the challenge they have around marketing themselves. I hear a lot of different reasons for this: “I’m too introverted.” “I hate anything that has to do with sales.” “I don’t want to be fake or phony,” etc. I get those reasons, because way back in the day when I felt like I had an allergic reaction to anything that had to do with marketing, I told other writers I hated marketing because of those very same reasons.
But, here’s the thing. That really wasn’t the whole story.
West Is San Francisco is the sequel to my gritty addiction memoir Between the Shadow and Lo. It’s weird, it’s dark, and it covers the first four years I spent in San Francisco working for a private detective, getting sober, and finally almost losing my mind to a cult-like startup and its sociopathic founder.
If you’re into transgressive fiction, autofiction, memoirs on alcoholism, or anything to do with narcissistic abuse, extreme codependency and/or fucked up toxic relationships, you’ll probably like it. You can now get it on Amazon in paperback or ebook.